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Title: The Veiled Aesthetic: Negotiating Piety, Patriarchy, and Consumer Capitalism in Indonesian Hijab Fashion
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The hijab has also become a powerful tool for self-expression and empowerment. Many Indonesian women use the hijab as a way to express their individuality and creativity, incorporating various colors, patterns, and styles into their daily looks. Brenner, S
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Indonesia is home to many talented hijab designers who have made a name for themselves both locally and internationally. Some notable Indonesian hijab designers include:
References (Selected)
- Brenner, S. (1996). Reconstructing Self and Society: Javanese Muslim Women and ‘The Veil’. American Ethnologist, 23(4), 673-697.
- Dewi, K. H. (2008). Indonesian Women and the Islamic State. Journal of Indonesian Islam, 2(2), 253-284.
- Heryanto, A. (2014). Identity and Pleasure: The Politics of Indonesian Screen Culture. NUS Press.
- Jones, C. (2010). Materializing Piety: Gendered Anxieties about Faithful Consumption in Contemporary Urban Indonesia. American Ethnologist, 37(4), 721-737.
- Nurhayati, S., & Hoesterey, J. (2019). The Hijab Economy: Modest Fashion and the Making of the Muslim Middle Class in Indonesia. Asian Journal of Social Science, 47(4-5), 475-502.
- Rinaldo, R. (2013). Mobilizing Piety: Islam and Feminism in Indonesia. Oxford University Press.
- Saktiningrum, N. (2018). Fashioning the Faithful: The Politics of the Hijab in Contemporary Indonesia. Unpublished PhD Dissertation, Ohio University.