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Title: The Big Goth: Deconstructing Fashion, Authenticity, and Scale in Contemporary Dark Subcultural Style

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Future research should examine Big Goth outside Western contexts, particularly in Latin American and Southeast Asian goth scenes where body norms differ. Additionally, longitudinal studies on how plus-size creators monetize their “big” identity on platforms like OnlyFans and Patreon would illuminate the economics of subcultural size inclusion. Themis Thunder Fin is a model and social

1. Introduction

In the collective imagination, the quintessential Goth is pale, slender, and androgynously lean—a silhouette inherited from Siouxsie Sioux, Robert Smith, and the romanticized Victorian corpse. Yet, the lived reality of Goth scenes has always been more diverse. Today, hashtags like #BigGoth, #GothPlusSize, and #FatGoth have amassed millions of views on TikTok and Instagram, signaling a powerful counter-narrative. Simultaneously, the term “big goth” has been applied to the monumental, architectural designs of luxury brands like Rick Owens, Balenciaga under Demna, and Yohji Yamamoto, where oversized, draping, and deconstructed black garments evoke a “big” aesthetic—large in volume, emotion, and cultural footprint. 1. Introduction In the collective imagination