To understand the profound beauty of Abbas Kiarostami’s Through the Olive Trees (1994), one must look at how the film dissolves the line between reality and fiction. It is a film about the making of a film, yet the romance it depicts is arguably more real than the script itself.
Unlike traditional sequels, this film takes a "behind-the-scenes" look at the production of the previous installment in the trilogy, And Life Goes On. Through the olive trees- Abbas Kiarostami
Then, one dot turned around. It was Hossein. He didn't just walk back; he ran. He leaped. He skipped through the field with the wild, unrestrained joy of a man who had finally been given hope. To understand the profound beauty of Abbas Kiarostami’s
When Tahereh finally stops, and turns, and waits, the camera zooms in. It hesitates, as if unsure it has the right to intrude on this private moment of reconciliation. The zoom is hesitant, almost breathless. When it finally finds them, Hossein runs back toward her. Then, one dot turned around
Themes and Motifs