The Bodyguard 2004 !new! Site
The Bodyguard (2004) is a Thai action-comedy film that serves as a colorful, high-octane departure from the typical Hollywood security thriller. Written, directed by, and starring popular Thai comedian Petchtai Wongkamlao, the film is a blend of explosive martial arts choreography and slapstick humor that has become a cult favorite for fans of international action cinema. Plot Overview
Wacky Choreography: Fight scenes that use obvious wirework and over-the-top props for comedic effect. the bodyguard 2004
Key Characters
- Kham (Tony Jaa): A skilled fighter raised in the jungle. His fighting style is distinctively ferocious, often utilizing moves mimicking animals like the elephant, tiger, and monkey.
- Mark (Petchtai Wongkamlao): A Thai police officer stationed in Sydney who initially tries to arrest Kham but eventually becomes his ally.
- Madame Rose (Xing Jing): The ruthless female leader of the Chinese gang responsible for the theft.
, the film often pushes tonal boundaries, swinging from serious gun battles to absurd, cartoonish gags. It’s a great example of the "New Thai Cinema" style that emerged in the early 2000s. The Bodyguard (2004) is a Thai action-comedy film
note that the humor is "crude and rude," featuring everything from over-the-top tonal shifts to a villain’s henchman who constantly changes into bizarre outfits, including a sumo thong. Hard-Hitting Stunts: Kham (Tony Jaa): A skilled fighter raised in the jungle
Key credits
- Title: The Bodyguard (Thai title: บอดี้การ์ดหน้าเหลี่ยม / Dangerous Hero)
- Year: 2004
- Country: Thailand
- Director / Lead actor: Petchtai Wongkamlao
- Writers: Petchtai Wongkamlao, Thanpat Taweesuk
- Action choreography / stunts: Panna Rittikrai (and stunt team)
- Notable cameo: Tony Jaa (brief appearance)
- Runtime: ~95 minutes
- Genre: Action, comedy, family melodrama
The Confusion: Why “The Bodyguard 2004” Exists
The confusion surrounding the keyword “The Bodyguard 2004” stems from the fact that two major films about bodyguards were released within two years of each other. In 2004, Hollywood released The Guardian (not a bodyguard film), but the international market saw a flood of Asian action cinema.
Action Choreography: The Last Gasp of Traditional Shapes
The fights in The Bodyguard are choreographed by Liu himself, and they represent a dying breed. By 2004, Hong Kong action cinema had either embraced the wire-fu of Zhang Yimou or the hyper-kinetic, MTV-style editing of Hollywood. Liu rejects both. The camera is mostly static. Cuts are few, and when they happen, they are used to change angles, not to hide impact. Each exchange is shot in medium-to-wide frames, allowing you to see the full geometry of the fight.