Resident Evil- Welcome To Raccoon City -

Resident Evil: Welcome to Raccoon City – A Haunting, Flawed Love Letter to the Survival Horror Purist

For nearly two decades, the live-action Resident Evil film franchise was synonymous with one thing: Paul W.S. Anderson and Milla Jovovich’s bombastic, slow-motion, super-powered action saga. Those films were wildly successful, grossing over $1.2 billion worldwide, but for fans of Capcom’s iconic survival horror video games, they were a frustrating paradox. They carried the name "Resident Evil" but traded claustrophobic dread for bullet-dodging pyrotechnics. The zombies weren't terrifying; they were target practice.

The Monsters: Fear the Lickers

One of the biggest criticisms of the Anderson films was the enemies. They were often generic CGI monsters. Welcome to Raccoon City returns to practical effects where possible, and it makes a world of difference.

Set in 1998, the film explores two parallel narratives occurring simultaneously on the night Raccoon City is destroyed. Resident Evil- Welcome to Raccoon City

Final Verdict: 7/10. Flawed, frantic, and faithful. Welcome to Raccoon City is the horror movie the fans deserved, even if they had to survive a few narrative lickers to get there.

Just finished Resident Evil: Welcome to Raccoon City, and I have thoughts. Resident Evil: Welcome to Raccoon City – A

Raccoon City Outbreak: Claire Redfield and rookie Leon S. Kennedy try to survive a zombie outbreak in the city and escape before it is destroyed. 👥 Key Characters & Cast

No sirens. No people. Just the rain and the wind, and something else—a low, wet growl from an alley. They carried the name "Resident Evil" but traded

Score: 3.5/5 — A respectful, atmospheric reboot with strong set pieces and fan service, held back by uneven pacing and underused characters.

Resident Evil: Welcome to Raccoon City – A Gritty Reset for the Survival Horror Icon

DISCLAIMERS

I am in no way associated with the National Film Registry, the National Film Preservation Board, the National Film Preservation Foundation, the Library of Congress, the Academy of Motion Picture Arts and Sciences, the International House of Pancakes, or any other government agency or film organization. Like so many other Americans, I’m just a guy on the internet who watches movies.

The opinions expressed on this blog are my own and do not reflect those of anyone else, including myself because, honestly, I’m really not paying attention when I write these things.

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