Marina Abramović remains one of the most chilling and significant performance art experiments ever staged. Performed over six hours at Galleria Studio Morra in Naples, Abramović ceded all control of her body to a crowd of strangers. The Setup: I Am the Object
The aggression escalated incrementally. Viewers began to cut away her clothes with the scissors until she was left entirely naked. They placed the thorn of the rose against her throat. Someone sucked the blood from a cut made by a scalpel. They tied her to a table, wrote on her body, and took explicit photographs of her. marina abramovic rhythm 0 performance video
A defining feature of the video documentation for Marina Abramović ’s Marina Abramović remains one of the most chilling
The photographer captured a dozen moments—a hand holding the gun, a finger tracing her throat, a stranger’s mouth close to hers—images which would later be dissected by critics and students. In the room itself the tempo had become volatile. The gathered public, transitioning from observers to actors, discovered that the anonymity of the crowd absolved them of the friction of one-on-one consequence. Decisions that would have been restrained in private felt permissible when diffused among many. The thin line between human civility and cruelty
Among the 72 objects placed on the table were: