Joe D-amato - Queen Of Elephants 2- Sahara -19... !free! Guide
(1998), often marketed as Queen of Elephants Part 2, is an erotic adventure directed by the prolific Italian filmmaker Joe D'Amato . While some DVD releases title it as a sequel to the 1997 film La regina degli elefanti, it is largely a standalone feature. Film Overview Original Title: Sahara (released on video in 1998). Director: Joe D'Amato (Aristide Massaccesi).
The story follows two wealthy businessmen who travel to Morocco to acquire a leather company. While there, they are "entertained" with various exotic delights and encounters. Star Power: Joe D-Amato - Queen Of Elephants 2- Sahara -19...
Directed by the prolific Joe D’Amato (Aristide Massaccesi), (1998), often marketed as Queen of Elephants Part
Concrete Example Scenes
- Caravan Negotiation: A long tracking shot follows sleds and camels across sand. In close-up, the Queen’s ringed hand slams a brass gavel; a foreign trader produces fake ivory—quick cross-cuts escalate to a knife flash and a desert duel.
- Mirage Sequence: The camera lingers on shimmering heat—then cuts to a lavish palace interior as a memory/vision. The effect is produced with simple diffusion filters, backward masking, and sound design to sell subjective reality.
- Final Ritual: Torches around a sand pit; chanting in non-diegetic vocal layers; a moral double-twist where the “queen” sacrifices a trusted lieutenant to hold power—shot largely in two-shot and extreme close-ups to accentuate expression over spectacle.
The Powerful Queen: Unlike the helpless women in some D'Amato horror, the Elephant Queen is dominant – often wielding a whip, dagger, or staff. She selects lovers and casts out interlopers. She represents both maternal power and castrating threat. Caravan Negotiation: A long tracking shot follows sleds
Sex & Violence
The sex scenes are standard 90s late-night Italian softcore: repetitive synth music, heavy breathing, and lots of pearl-clutching close-ups. Violence is minimal—a dagger threat here, a slap there. This isn’t D’Amato at his gory peak (Beyond the Darkness); it’s D’Amato paying for a camel rental.
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